Editing is one of the basic components of film. The aim of the course is to teach students editing and its role within the context of filmmaking.
Prerequisite(s)
Course Code Course Name…
Corequisite(s)
Course Code Course Name…
Special Requisite(s)
The minimum qualifications that are expected from the students who want to attend the course.(Examples: Foreign language level, attendance, known theoretical pre-qualifications, etc.)
Instructor(s)
Assist. Prof. Dr. Ayşe Duygu Atasoy Aktaş
Course Assistant(s)
Res. Asist. Okan Şeker, Tech. Fatih Öztürk
Schedule
Monday, 13:00-15:45, AKLAB 1B0810-AKLAB 1B1214
Office Hour(s)
Monday, 13:00-15:45
Teaching Methods and Techniques
Students understand the importance of editing in films that in their work and watch and issues referred to in order to lead efforts in this direction. This will be possible with theoretical and practical mixture of the course, mutual discussions and practical exercises where tested new ideas will be discussed.
Principle Sources
Küçükerdoğan B., Sinemada Kurgu ve Eisenstein, Hayalbaz Kitap, İstanbul, 2010.
Küçükerdoğan, Bülent – Yavuz, Turhan – Zengin, İbrahim, Video ve Film Kurgusuna Giriş, Es Yayınları, 2005.
Sokolov, Aleksey G. “Sinemada ve Televizyonda Görüntü Kurgusu”, Agora Kitaplığı, İstanbul, 2007.
Other Sources
Dmytryk, Edward, Dmytryk, Jean Porter “Sinemada Yönetmenlik, Oyunculuk, Kurgu”, Doruk Yayınları, İstanbul, 2007.
Monaco, James “Bir Film Nasıl Okunur?”, Oğlak Yayıncılık, İstanbul, 2002.
Murch, Walter “Göz Kırparken”, İstanbul Bilgi Üniversitesi Yayınları, İstanbul, 2007.
Mascelli, V. Joseph. “Sinemanın 5 Temel Ögesi”, İmge Kitabevi, Ankara, 2002.
Course Schedules
Week
Contents
Learning Methods
1. Week
Course introduced, purpose and content explained.
Oral presentation, Technical excursion
2. Week
Explaining the basic elements of cinema.
Oral presentation, Technical excursion
3. Week
What is a plan? Explained through examples
Oral presentation, Technical excursion
4. Week
What is a scene? Explained through examples
Oral presentation, Technical excursion
5. Week
What is a sequence? Explained through examples
Oral presentation, Technical excursion
6. Week
The emergence of editing and first examples.
Oral presentation, Technical excursion
7. Week
Midterm Exam
Project
8. Week
The basic principles and development of continuity editing.
Oral presentation, Technical excursion
9. Week
Editing Theories, explaining the theories developed by the Soviet filmmaker.
Oral presentation, Technical excursion
10. Week
Cinematic time and space’s used as the cinematic fiction element.
Oral presentation, Technical excursion
11. Week
Explaining with examples how to create meaning through editing.
Oral presentation, Technical excursion
12. Week
Characteristics of music video editing explained through examples
Oral presentation, Technical excursion
13. Week
Characteristics and differences of documentary film editing explained through examples.
Oral presentation, Technical excursion
14. Week
Editing in music videos explained with examples.
Oral presentation, Technical excursion
15. Week
Discussion of the various examples of editing through films.
Oral presentation, Technical excursion
16. Week
Overview
Oral presentation, Technical excursion
17. Week
Final Exam
Project
Assessments
Evaluation tools
Quantity
Weight(%)
Midterm(s)
1
40
Final Exam
1
60
Program Outcomes
PO-1
Communication, art and culture related concepts to be priorities, all kinds of definitions can berelated to different areas.
PO-2
Interpret technological developments and related artistic and cultural perceptions
PO-3
Will be able to understand contemporary / contemporary cinema and television practices.
PO-4
Will be able to analyze the organic relationship between art, communication and society.
PO-5
Will be able to produce works that will learn the creative process and bring creativity to the foreground
PO-6
It will be able to work creatively, flexibly and independently in a disciplined and self-created line.
PO-7
Will be able to use the tools and equipment necessary for their profession in the right place and at the right time and will be able to implement their projects within the determined time.
PO-8
Will be able to express his / her creative ideas using visual messages.
PO-9
They will be able to give original products in different interdisciplinary fields like animation, photography, cinema.
PO-10
He will have experience in film management, screenplay, cinematography and editing.
PO-11
Will be able to prepare visual effects for cinema and television using computer based applications.
PO-12
He will have experience in acting, mimicry, dramatic improvisation.
PO-13
Be open to innovations in the field of mass communication and adapt to innovations in the field.
PO-14
It will be able to produce projects with experienced experts in national and international areas.
PO-15
Competitions, exhibitions, festivals, seminars etc. in national and international areas. will participate in the events.
