İKÜ-ECTS

Undergraduate

Faculty of Arts and Design

Main Page / Program Curriculum / CINEMATOGRAPHY II

CINEMATOGRAPHY II

Course Code	Semester	Course Name	LE/RC/LA	Course Type	Language of Instruction	ECTS
STV2005	2	CINEMATOGRAPHY II	1/2/0	CC		4


Course Goals	This course aims to introduce the student to visual teaching in the field of cinema and television. Students will be introduced to the concepts of visual perception and the physical formation of the image; perception of light, color, form and perspective; perceptual continuity and illusion, and will investigate them through the camera, produce examples and discuss their visual effects. Based on the formation of light and image, the emphasis is on image composition. Along with the introduction and use of technical materials such as camera, camera and lighting equipment, shooting angles and scales, camera movements, etc. are comprehended with applications in order to comprehend the narrative language of cinema.
Prerequisite(s)	Course Code Course Name…
Corequisite(s)	Course Code Course Name…
Special Requisite(s)	The minimum qualifications that are expected from the students who want to attend the course.(Examples: Foreign language level, attendance, known theoretical pre-qualifications, etc.)
Instructor(s)	Assoc. Prof. Cüneyt Gök
Course Assistant(s)
Schedule	Thursday, 12:00-14:50, 1C-12-14
Office Hour(s)	Instructor name, day, hours, XXX Campus, office number.
Teaching Methods and Techniques	Lecture, Discussion, Practice, Monitoring-Resolution
Principle Sources	Film Dili, R. Edgar-Hunt, J.Marland,S. Rawie, Literatür Yayınları, 2015. Hollywood’un Film Dili, D. Bordwell, Doruk Yayınları, 2016. Arnheim, Rudolf. (2002). Sanat Olarak Sinema. İstanbul: Öteki Yayınevi Barthes, Roland (1992). Camera Lucida. İstanbul: ALTIKIRKBEŞ Bazin, Andre (2000). Sinema Nedir? İstanbul: İzdüşüm. Becker. Ernest (1962). The Birth and Death of Meaning: A Perspective in Psychiatry and Anthrophology. New York: Free Press of Glencoe Betton, Gerard (1986). Sinema Tarihi / Başlangıcından 1986’ya kadar- Yeniyüzyıl kitaplığı Çev: Şirin Tekeli. İstanbul: İletişim Yayınları. Bogue, Ronald (2003). Deleuze on Cinema. Routledge. Bonitzer, Pascal. (2011). Kör Alan ve Dekadrajlar, Çev.I. Yaşar. İstanbul: Metis Yayıncılık. Bonitzer, Pascal (2005). Bakış ve Ses. İstanbul: Metis Yayıncılık. Bordell, David (2002). Intensified Continuity: Visual Style in Contemporary American Film, in Film Quarterly, vol. 55, no. 3. Ceram, C.W(2007). Sinemanın Arkeolojisi. İstanbul: Agora Kitaplığı. 340 Hikayelerden Sinematografik Öykülemeye ANLATMANIN YOLLARI Deleuze, G. & Guattari, F. (2014). A Tousand Plateaus: Capitalism and Schizophrenia (Çev. B. Massumi). London: Bloomsbury. Deleuze, G. (2004). Sinema I: Hareket İmge, Çev. Soner Özdemir. İstanbul: Norgunk. Doğan, Mehmet (1975). 100 Soruda Estetik. İstanbul: Gerçek Yayınevi. Fischer, Ernest (1974). Sanatın Gerekliliği, Çev. C. Kopan. İstanbul: e Yayınları. Fiske, John (1987). Television Culture, London: Methuen. Flusser, Vilem (2009). Bir Fotoğraf Felsefesine Doğru, Çev. İhsan Derman. İstanbul: Haylabaz Kitap. Gök, Cüneyt (2007). Sinema ve Gerçeklik. Beykent Üniversitesi Sosyal Bilimler Dergisi 1 / 2 Gök, Cüneyt (2016). Değişen İmgeler ve Temsiliyet. AURUM, İstanbul Kemerburgaz Üniversitesi Sosyal Bilimler Dergisi Cilt1, Sayı2 Gök, Cüneyt (2016). Resim ve Fotoğraf Sanatında Portre Geleneğinden Selfie’ye. Medeniyet Sanat. Cil2, Sayı1 Hauser A. (1995). Sanatın Toplumsal Tarihi, Çev. Yıldız Gölönü. İstanbul: Remzi Kitabevi. Lotman, Yuriy M. (1999). Sinema Estetiğinin Sorunları/Film Semiotiğine Giriş. İstanbul: Öteki Yayınevi. Mascelli, Joseph V. (2002). Sinemanın Beş Temel Öğesi. İstanbul: İmge Kitapevi Monaco, James (2003). Bir Film Nasıl Okunur?, “Çev. Ertan Yılmaz, İstanbul: Oğlak yayınları. Monaco, James (2006). Yeni Dalga. İstanbul: +1 kitap Parkan, Mutlu (2005). Brecht Estetiği ve Sinema. İstanbul: Donkişot Güncel Yayınlar. Pezella, Mario (2006). Sinemada Estetik, Ankara: Dost Kitabevi Sokolov, Aleksey G. (2006). Sinema ve Televizyonda Görüntü Kurgusu, Türkçesi: Semir Aslanyürek, İstanbul: Agora
Other Sources


Course Schedules
Week	Contents	Learning Methods
1. Week	Image and vision	Oral presentation
2. Week	Image Composition - Composition in Cinema Construction of Cinematographic Space - Examples	Oral presentation
3. Week	Basic Settings in Cameras Iso- Shutter- Iris relationship	Oral presentation, Technical excursion
4. Week	Shooting angles in cinema, Shooting Scales, Camera Movements	Oral presentation, Technical excursion
5. Week	Depth of Field and Clarity	Oral presentation, Technical excursion
6. Week	Lens selection and time effect	Oral presentation, Technical excursion
7. Week	Midterm Exam
8. Week	Light Sources and Light Design	Oral presentation, Technical excursion
9. Week	Player Action axis	Oral presentation, Technical excursion
10. Week	Blocking- Layout plan drawing- Scene Planning	Oral presentation, Technical excursion
11. Week	Stylistic Preferences in Image - Cinematographers - Sample films.	Oral presentation, Technical excursion
12. Week	Cameras and Video Equipment	Oral presentation, Technical excursion
13. Week	Technical Material Selection - Utilization	Oral presentation, Technical excursion
14. Week	Final Exam
15. Week
16. Week
17. Week


Assessments
Evaluation tools	Quantity	Weight(%)
Midterm(s)	1	40
Homework / Term Projects / Presentations	1	10
Final Exam	1	50

Program Outcomes
PO-1 Communication, art and culture related concepts to be priorities, all kinds of definitions can berelated to different areas.
PO-2 Interpret technological developments and related artistic and cultural perceptions
PO-3 Will be able to understand contemporary / contemporary cinema and television practices.
PO-4 Will be able to analyze the organic relationship between art, communication and society.
PO-5 Will be able to produce works that will learn the creative process and bring creativity to the foreground
PO-6 It will be able to work creatively, flexibly and independently in a disciplined and self-created line.
PO-7 Will be able to use the tools and equipment necessary for their profession in the right place and at the right time and will be able to implement their projects within the determined time.
PO-8 Will be able to express his / her creative ideas using visual messages.
PO-9 They will be able to give original products in different interdisciplinary fields like animation, photography, cinema.
PO-10 He will have experience in film management, screenplay, cinematography and editing.
PO-11 Will be able to prepare visual effects for cinema and television using computer based applications.
PO-12 He will have experience in acting, mimicry, dramatic improvisation.
PO-13 Be open to innovations in the field of mass communication and adapt to innovations in the field.
PO-14 It will be able to produce projects with experienced experts in national and international areas.
PO-15 Competitions, exhibitions, festivals, seminars etc. in national and international areas. will participate in the events.

Learning Outcomes
LO-1 How to create meaning with the camera
LO-2 To understand the difference between film and television cinematography
LO-3 To be able to use different lighting for different genres
LO-4 The ability to discuss the effects of new technologies on cinematography
LO-5 To use the camera and lighting as elements of a film language.

Course Assessment Matrix:

Program Outcomes - Learning Outcomes Matrix
PO 1 PO 2 PO 3 PO 4 PO 5 PO 6 PO 7 PO 8 PO 9 PO 10 PO 11 PO 12 PO 13 PO 14 PO 15