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| Course Goals |
The aim of the course is to teach students about the notion of the character; one of the dramatic components of a film script. The course will enable students to know the basic dramatic and aesthetic ways of creating a character and according to create an original character of their own.
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| Prerequisite(s) |
. |
| Corequisite(s) |
. |
| Special Requisite(s) |
. |
| Instructor(s) |
Assoc. Prof. Perihan TAŞ ÖZ |
| Course Assistant(s) |
Res. Asist. Okan Şeker |
| Schedule |
Wednesday, 14:00 - 16:45 |
| Office Hour(s) |
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| Teaching Methods and Techniques |
The aim of this course is to enable the students to recognize the phenomenon of "Character" as one of the dramatic components of the film script, and to analyze a character created on a movie sample of their choice in all aspects. |
| Principle Sources |
Linda Seger, Senaryoda Unutulmaz Karakterler Yaratmak, Agora Kitaplığı, 1. Baskı, 2015.
John Costello. Senaryo Yazımı. Kalkedon Yayıncılık. 2009. |
| Other Sources |
Linda Seger, İleri Senaryo Yazma Teknikleri, Agora Kitaplığı, 1. Baskı, 2015. |
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| Course Schedules |
| Week |
Contents |
Learning Methods |
| 1. Week |
Introductory class: information on the content of the course |
Oral presentation |
| 2. Week |
the basic dramatic components of a film script |
Oral Presentation / Written and Visual Sources |
| 3. Week |
the basic narrative components of a film script |
Oral Presentation / Written and Visual Sources |
| 4. Week |
the notion of the character as a dramatic and narrative component of a film script |
Oral Presentation / Written and Visual Sources |
| 5. Week |
the relationship between the notion of a character with other narrative and dramatic components of a film |
Oral presentation / Practice |
| 6. Week |
the basic principles of character development for a film script |
Oral presentation / Practice |
| 7. Week |
Midterm exam |
Project |
| 8. Week |
the basic principles of character development for a film script |
Oral Presentation / Written and Visual Sources |
| 9. Week |
screening of a film which puts to the fore the notion of the character |
Oral Presentation / Written and Visual Sources |
| 10. Week |
the sociological motivations behind creating a character in a film script |
Oral Presentation / Written and Visual Sources |
| 11. Week |
the psychological motivations behind creating a character in a film script |
Oral presentation / Practice |
| 12. Week |
the physiological motivations behind creating a character in a film script |
Oral presentation / Practice |
| 13. Week |
the creation of a character as a sociological-psychological and physiological whole |
Oral presentation / Practice |
| 14. Week |
character and dialogue |
Oral presentation |
| 15. Week |
student presentations and discussion on the character developed by students throughout the term |
Oral presentation / Practice |
| 16. Week |
student presentations and discussion on the character developed by students throughout the term |
Oral presentation / Practice |
| 17. Week |
Final Exam |
Project |
| Program Outcomes |
| PO-1 | Communication, art and culture related concepts to be priorities, all kinds of definitions can berelated to different areas. | | PO-2 | Interpret technological developments and related artistic and cultural perceptions | | PO-3 | Will be able to understand contemporary / contemporary cinema and television practices. | | PO-4 | Will be able to analyze the organic relationship between art, communication and society. | | PO-5 | Will be able to produce works that will learn the creative process and bring creativity to the foreground | | PO-6 |
It will be able to work creatively, flexibly and independently in a disciplined and self-created line. | | PO-7 | Will be able to use the tools and equipment necessary for their profession in the right place and at the right time and will be able to implement their projects within the determined time. | | PO-8 | Will be able to express his / her creative ideas using visual messages. | | PO-9 |
They will be able to give original products in different interdisciplinary fields like animation, photography, cinema. | | PO-10 |
He will have experience in film management, screenplay, cinematography and editing. | | PO-11 |
Will be able to prepare visual effects for cinema and television using computer based applications. | | PO-12 |
He will have experience in acting, mimicry, dramatic improvisation. | | PO-13 |
Be open to innovations in the field of mass communication and adapt to innovations in the field. | | PO-14 |
It will be able to produce projects with experienced experts in national and international areas. | | PO-15 |
Competitions, exhibitions, festivals, seminars etc. in national and international areas. will participate in the events. | |
| Learning Outcomes |
| LO-1 | The ability to analyze the basic dramatic and narrative elements of a script | | LO-2 | The ability to analyze the contributions of the notion of the character to a film’s narrative and dramatic structure | | LO-3 | Experience in the creative field | | LO-4 | Knowledge on the basic narrational and aesthetic elements necessary to create a character for a film script | | LO-5 | The creative ability to create an original character | |
