Undergraduate
Faculty of Arts and Design
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FILM SEMIOTICS

Course CodeSemester Course Name LE/RC/LA Course Type Language of Instruction ECTS
STV6003 6 FILM SEMIOTICS 2/0/0 CC 4
Course Goals


Within the context of this course, the leading names in semiology and their theories, and the relationship to cinema will be undertaken with the support of media texts.

Prerequisite(s) FILM SEMIOTICS
Corequisite(s) FILM SEMIOTICS
Special Requisite(s) The minimum qualifications that are expected from the students who want to attend the course.(Examples: Foreign language level, attendance, known theoretical pre-qualifications, etc.)
Instructor(s) Assoc. Prof. Remziye Köse Özelçi
Course Assistant(s) Res. Asst. Emre Fırat
Schedule Thursday, 13:00-14:45, 1C/12/14
Office Hour(s) .
Teaching Methods and Techniques
Lectures and analysis of media texts
Principle Sources

1.     Fatma Erkman Akerson, Göstergebilime Giriş Multılunguel Yay., İstanbul, 2005.

2.     Robert Stam, Robert Burgoyne vd. Sinemasal Göstergebilim Sözlüğü, Çev: Simten Gündeş, Es Yay. 2019.

3.     Mehmet Rıfat, Açıklamalı Göstergebilim Sözlüğü, Türkiye İş Bankası Yay. 2013.

4.     Yuriy Lotman, Sinema Göstergebilimi, Çev: Oğuz Özügül, Nirengi Kitap, 3. Baskı, 2012

5.     Yuriy Lotman, Sinema Estetiğinin Sorunları, Filmin Semiyotiğine Giriş, Çev: Oğuz Özügül, Öteki Yay. 2. Baskı, 1999.

6.     Christian Metz, Sinemada Anlam Üstüne Denemeler,  Hayalperest Yay.

7.     Umberto Eco, Alımlama Göstergebimi, Düzlem Yay.

8.     Camera Lucida, Roland Barthes, Çev: Reha Akçakaya, Altıkırkbeş Yay., İstanbul, 2001.

9.     Peter Wollen, Sinemada Göstergeler ve Anlam, Metis Yay. 2014.

10.   Michel Foucault, Bu Bir Pipo Değildir,  Çev: Selahattin Hilav, YKY

11.   Seçil Büker, Sinemada Anlam Yaratma, Hayalperest Yay.

Other Sources

 

Course Schedules
Week Contents Learning Methods
1. Week Introduction to the course Oral presentation
2. Week What is Semiotics? Concept of Sign. Basics of semiotic approaches Oral presentation
3. Week F. De Saussure's Concept of Sign Oral presentation
4. Week C. Sanders Peirce's Concept of Sign Oral presentation
5. Week Explanation of Signs: Roland Barthes Oral presentation
6. Week Film Analysis Oral presentation
7. Week Film Analysis Oral presentation
8. Week Midterm exam
9. Week Umberto Eco and Semiotics Oral presentation
10. Week Yuri Lotman and Semiotics of Cinema Oral presentation
11. Week Christian Metz and Film Semiotics Oral presentation
12. Week Film Analysis Oral presentation
13. Week Film Analysis Oral presentation
14. Week Overview and discussion Oral presentation
15. Week Final exam
16. Week
17. Week
Assessments
Evaluation tools Quantity Weight(%)
Midterm(s) 1 40
Final Exam 1 60


Program Outcomes
PO-1Communication, art and culture related concepts to be priorities, all kinds of definitions can berelated to different areas.
PO-2Interpret technological developments and related artistic and cultural perceptions
PO-3Will be able to understand contemporary / contemporary cinema and television practices.
PO-4Will be able to analyze the organic relationship between art, communication and society.
PO-5Will be able to produce works that will learn the creative process and bring creativity to the foreground
PO-6 It will be able to work creatively, flexibly and independently in a disciplined and self-created line.
PO-7Will be able to use the tools and equipment necessary for their profession in the right place and at the right time and will be able to implement their projects within the determined time.
PO-8Will be able to express his / her creative ideas using visual messages.
PO-9 They will be able to give original products in different interdisciplinary fields like animation, photography, cinema.
PO-10 He will have experience in film management, screenplay, cinematography and editing.
PO-11 Will be able to prepare visual effects for cinema and television using computer based applications.
PO-12 He will have experience in acting, mimicry, dramatic improvisation.
PO-13 Be open to innovations in the field of mass communication and adapt to innovations in the field.
PO-14 It will be able to produce projects with experienced experts in national and international areas.
PO-15 Competitions, exhibitions, festivals, seminars etc. in national and international areas. will participate in the events.
Learning Outcomes
LO-1The ability to evaluate cinematic and literary theories
LO-2The ability to make semiological analysis
LO-3The understanding of the difference between semiotics theoreticians and their approaches and the knowledge on each of their analysis method
LO-4The ability to define the concepts within semiotics and the ability to differentiate amongst the indicators used in different fields
LO-5The ability to make connections between semiotics and other social sciences
Course Assessment Matrix:
Program Outcomes - Learning Outcomes Matrix
 PO 1PO 2PO 3PO 4PO 5PO 6PO 7PO 8PO 9PO 10PO 11PO 12PO 13PO 14PO 15