The aim of the course is to examine the cities in the films and the films about the city from a cultural point of view. In this review, the city life in movies and the conditions created by this life will be taken into consideration.
Prerequisite(s)
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Corequisite(s)
.
Special Requisite(s)
The minimum qualifications that are expected from the students who want to attend the course.(Examples: Foreign language level, attendance, known theoretical pre-qualifications, etc.)
Instructor(s)
Assoc. Prof. Remziye Köse Özelçi
Course Assistant(s)
Schedule
.
Office Hour(s)
.
Teaching Methods and Techniques
Article, Lecture, Discussion, Film Screening and Presentation
Principle Sources
Mehmet Öztürk, Sine-Masal Kentler, Don Kişot Yay. Doğu Batı ( Farklı tarihlerde, farklı yayınevleri tarafından basılmıştır.)
Feride Çiçekoğlu, Vesikalı Şehir, Metis Yay.
Feride Çiçekoğlu, Şehrin İtirazı, Metis Yay.
Walter Benjamin, Pasajlar Çev: Ahmet Cemal, YKY
Max Weber, Modern Kentin Oluşumu, Bakış Yay, 2010
David Harvey, Asi Şehirler, Metis Yay.
David Harvey, Sosyal Adalet ve Şehir, Metis Yay.
Henri Lefebvre, Şehir Hakkı, Sel Yay.
Henri Lefebvre, Kentsel Devrim, Sel Yay.
Charles Baudelaire, Paris Sıkıntısı, Çev: Tahsin Yücel, Türkiye İş Bankası Yay.
Stavros Stavrides, Kentsel Heterotopya, Özgürlükler Mekanı Olarak Eşikler Kentine Doğru, Sel Yay.
Simmel, G. (1996). Metropol Ve Zihinsel Yaşam. Çev: Bahar Öcal Düzgören. Cogito YKY Üç Aylık Düşünce Dergisi Sayı: 8 Yaz 96. İstanbul: YKY, S.81-89
Çınar, A. (2013). Modernizm, Kent ve Toplum. Bursa: Emin Yay.
Merrifield, A. (2012). Metromarksizm, Şehrin Marksist Bir Hikayesi. Çev:Nihal Ünver. Ankara: Phoenix Yay.
Robert E. Park- Ernest W. Burgess, Şehir Kent Ortamındaki İnsan Davranışlarının Araştırılması Üzerine Öneriler, Heretik Yay. 2015
Andy Merrifield vd. Mekan Meselesi, Tekin Yay.
Kevin Lynch, Kent İmgesi, Türkiye İş Bankası Yay.
Other Sources
Filmler:
Berlin: Bir Büyük Kent Senfonisi, Walther Ruttmann, 1927
Metropolis, F. Lang, 1927
Film Kameralı Adam, Dziga Vertov , 1929
Tatlı Hayat, F. Fellini, 1960
Roma, Açık Şehir, R. Rosellini, 1945
Uyuyan Paris, Rene Claire
Ninotchka, Ernest Lubitsch, 1939
Dünyada Bir Gece, J. Jarmusch, 1991.
Bohem Hayat, Aki Kaurismaki, 1992
Bisiklet Hırsızları, V. De Sica, 1948
Paramparça Aşklar ve Köpekler, Alejandro Gonzalez, 2000
Vicky Cristina Barcelona, Woody Allen, 2008
Anlat İstanbul, Ümit Ünal, 2005
Ah Güzel İstanbul, 1966, Atıf Yılmaz
Vesikalı Yarim, L. Ömer Akad, 1968
Hakkari’de Dört Mevsim, Erden Kıral, 1988
Ahlat Ağacı, N. Bilge Ceylan, 2018
Ana Yurdu, Senem Tüzün, 2005
Kaygı, C. Özgün Özçelik, 2017
Duvara Karşı, Fatih Akın, 2004
Gagarine, Fanny Liatard, 2020
Gri Değil, Siyah: Ankara Rocks, Ufuk Önen, 2017
Aydedim, U. (2014). Yabancılar Giremez. İstanbul: Babil Film
Özgen, H. (2016). Bir Yenilginin Anatomisi. İstanbul
Course Schedules
Week
Contents
Learning Methods
1. Week
Georg Simmel / The Metropolis and Mental Life
Oral presentation
2. Week
Simmel and Readings on Cities
Oral presentation
3. Week
Walter Benjamin and Arcade Project
Oral presentation
4. Week
Charles Baudelaire and Readings on Cities
Oral presentation
5. Week
Notions of Bohem, Flauner and Flaneuse
Oral presentation
6. Week
Benjamin, Baudelaire and Movies
Oral presentation
7. Week
Readings on Cities With Examples of World Cinemas
Oral presentation
8. Week
Relationship of Space and Identity
Oral presentation
9. Week
Relationship of Space and Identity In Film
Oral presentation
10. Week
Threshold Space in Turkish Cinema
Oral presentation
11. Week
Relationship of City and Time in Turkish Cinema
Oral presentation
12. Week
Relationship of City and Time in Turkish Cinema
Oral presentation
13. Week
Student Presentations
Oral presentation
14. Week
Student Presentations
Oral presentation
15. Week
Review
Oral presentation
16. Week
17. Week
Assessments
Evaluation tools
Quantity
Weight(%)
Midterm(s)
1
30
Homework / Term Projects / Presentations
1
20
Final Exam
1
50
Program Outcomes
PO-1
Communication, art and culture related concepts to be priorities, all kinds of definitions can berelated to different areas.
PO-2
Interpret technological developments and related artistic and cultural perceptions
PO-3
Will be able to understand contemporary / contemporary cinema and television practices.
PO-4
Will be able to analyze the organic relationship between art, communication and society.
PO-5
Will be able to produce works that will learn the creative process and bring creativity to the foreground
PO-6
It will be able to work creatively, flexibly and independently in a disciplined and self-created line.
PO-7
Will be able to use the tools and equipment necessary for their profession in the right place and at the right time and will be able to implement their projects within the determined time.
PO-8
Will be able to express his / her creative ideas using visual messages.
PO-9
They will be able to give original products in different interdisciplinary fields like animation, photography, cinema.
PO-10
He will have experience in film management, screenplay, cinematography and editing.
PO-11
Will be able to prepare visual effects for cinema and television using computer based applications.
PO-12
He will have experience in acting, mimicry, dramatic improvisation.
PO-13
Be open to innovations in the field of mass communication and adapt to innovations in the field.
PO-14
It will be able to produce projects with experienced experts in national and international areas.
PO-15
Competitions, exhibitions, festivals, seminars etc. in national and international areas. will participate in the events.
Learning Outcomes
LO-1
Has knowledge about the use of space in films and the importance of urban image
LO-2
To be able to establish and discuss cinema in the city with the city phenomenon in the cinema
LO-3
He/ She knows how to structure the city in Hollywood cinema
LO-4
He/She knows how to structure the city in Yesilcam cinema
LO-5
Discuss how dystopic, postmodern and utopian cities influence cinematic narration in cinema
