Course Code	Semester	Course Name	LE/RC/LA	Course Type	Language of Instruction	ECTS
STVY2012		CINEMA AND IDEOLOGY	3/0/0	DE	Turkish	6

Course Goals	Every film is politics; because every film is a product of an ideological system. Each film is also part of the ideological system as it is an element of the economic system; cinema and art are the branches of the ideological system. This course aims to examine students' cinema with a critical eye by examining how cinema's ideology is transmitted in different periods and in different countries in this context.
Prerequisite(s)	.
Corequisite(s)	.
Special Requisite(s)	The minimum qualifications that are expected from the students who want to attend the course.(Examples: Foreign language level, attendance, known theoretical pre-qualifications, etc.)
Instructor(s)	Assoc. Prof. Remziye Köse Özelçi
Course Assistant(s)
Schedule	Monday, 09:00-11:45, 1D/04/06
Office Hour(s)	.
Teaching Methods and Techniques	Article, Lecture, Discussion, Film Screening and Presentation
Principle Sources	1.     Michele Barrett, Marx’tan Foucault’ya İdeoloji, Çev: Ahmet Fethi, Doruk Yay. 2.     Terry Eagleton, İdeoloji, Çev:Muttalip Özcan, Ayrıntı Yay. 3.     Serpil Sancar, İdeolojinin Serüveni, İmge Kitabevi 4.     Rıza Kıraç, Film İcabı, Türk Sinemasına İdeolojik Bir Bakış, De ki Yay. 5.     Kristian Feigelson, Politik Kamera, Sinemada Komünizm Meselesine Eleştirel Bakışlar, Çev: Ender Bedisel, Hayalperest Yay. 6.     Douglas Kellner, Michael Ryan, Politik Kamera: Çağdaş Hollywood Sinemasının İdeolojisi ve Politikası, Çev: Elif Özsayar, Ayrıntı Yay. 7.     Douglas Kellner, Sinema Savaşları, Çev:Gürol Koca, Metis Yay. 8.     James Roy MacBean, Sinema ve Devrim, Çev: Ertan Yılmaz, Kabalcı Kitabevi 9.     Mike Wayne, Politik Film, Çev: Ertan Yılmaz, Yordam Kitap 10.   Mike Wayne, Sinemayı Anlamak, Marksist Perspektiften, Çev: Ertan Yılmaz,  De Ki Yay. 11.   Ertan Yılmaz, 68 ve Sinema, Hayalet Kitaplığı 12.   David Robb, Hollywood Operasyonları, Çev: Sinan Okan, Güncel Yay. 13.   Dominique Chansel, Beyaz Perdedeki Avrupa, Tarih Öğretimi ve Sinema, Çev: Nurettin Elhüseyni, Tarih Vakfı Yay. 14.   Ali Özuyar, Faşizmin Etkisinde Türkiye’de Sinema (1939-1945), Doruk Yay. 15.   Özgür İpek, Tanıklıklar Sineması, Belgesel Sinema Üzerine, Agora Kitaplığı 16.   Burak Bakır vd. Sinema, İdeoloji ve Politika, Büyüleyen Faşizm ve diğer yazılar, Nirengi Sinema 17.   Serdar Öztürk, Mekan ve İktidar, Filmlerle İletişim Mekanlarının Altpolitikası, Phonix Yay. 18.   Uğur Kutay, Sinema-Politik, Es Yay. 19.   Hüseyin Köse, Özgür İpek, Gözdeki Kıymık, Metis Yay. 20.   Sevcan Sönmez, Filmlerle Hatırlamak, Toplumsal Travmaların Sinemada Temsil Edilişi, Metis Yay. 21.    Senem Duruel Erkılıç, Türk Sinemasında Tarih ve Bellek, De ki Yay.
Other Sources

Course Schedules
Week	Contents	Learning Methods
1. Week	Ideology: Definition and Approaches	Oral presentation
2. Week	Marxist theory and Ideology	Oral presentation
3. Week	Antonio Gramsci and the theory of hegemony	Oral presentation
4. Week	Louis Althusser's theory of ideology	Oral presentation
5. Week	Ideology According to Michel Foucault	Oral presentation
6. Week	Language of Film: Ideology	Oral presentation
7. Week	Film and Collective Memory	Oral presentation
8. Week	Midterm Exam
9. Week	Communism and Film	Oral presentation
10. Week	Fascism and Film	Oral presentation
11. Week	An Ideological View to Turkish Cinema	Oral presentation
12. Week	An Ideological View to Turkish Cinema	Oral presentation
13. Week	Student Presentations	Oral presentation
14. Week	Student Presentations	Oral presentation
15. Week	Student Presentations	Oral presentation
16. Week
17. Week

Assessments
Evaluation tools	Quantity	Weight(%)
Final Exam	1	100

Program Outcomes PO-1 Communication, art and culture related concepts to be priorities, all kinds of definitions can berelated to different areas. PO-2 Interpret technological developments and related artistic and cultural perceptions PO-3 Will be able to understand contemporary / contemporary cinema and television practices. PO-4 Will be able to analyze the organic relationship between art, communication and society. PO-5 Will be able to produce works that will learn the creative process and bring creativity to the foreground PO-6 It will be able to work creatively, flexibly and independently in a disciplined and self-created line. PO-7 Will be able to use the tools and equipment necessary for their profession in the right place and at the right time and will be able to implement their projects within the determined time. PO-8 Will be able to express his / her creative ideas using visual messages. PO-9 They will be able to give original products in different interdisciplinary fields like animation, photography, cinema. PO-10 He will have experience in film management, screenplay, cinematography and editing. PO-11 Will be able to prepare visual effects for cinema and television using computer based applications. PO-12 He will have experience in acting, mimicry, dramatic improvisation. PO-13 Be open to innovations in the field of mass communication and adapt to innovations in the field. PO-14 It will be able to produce projects with experienced experts in national and international areas. PO-15 Competitions, exhibitions, festivals, seminars etc. in national and international areas. will participate in the events.

Learning Outcomes LO-1 Will be a chance to see how historical events affect cinema art and how it reflects in cinema. LO-2 Will be able to understand how cinemans "naturalize" certain ideas and analyze them LO-3 Will understand that there is no "objective" viewpoint. LO-4 Will understand that ideolojin is not only in cinema, but in all mass media. LO-5 Will learn to look at films critically.

Course Assessment Matrix:

PO 1

PO 2

PO 3

PO 4

PO 5

PO 6

PO 7

PO 8

PO 9

PO 10

PO 11

PO 12

PO 13

PO 14

PO 15