The aim of the course is to understand the effects and influence film and literature have on each other.
Prerequisite(s)
Course Code Course Name…
Corequisite(s)
Course Code Course Name…
Special Requisite(s)
The minimum qualifications that are expected from the students who want to attend the course.(Examples: Foreign language level, attendance, known theoretical pre-qualifications, etc.)
Instructor(s)
Lecturer Dr. Selda Salman Sakızlı
Course Assistant(s)
Res. Asist. Emre Fırat
Schedule
Monday, 14:00-15:45
Office Hour(s)
.
Teaching Methods and Techniques
Lectures and film analysis
Principle Sources
Rober Stam & Allessandra Raegno (2004), A Companion to Literature and Film, Blackwell Publishing (İlgili bölümlerin Türkçe çevirileri dersin hocası tarafından sağlanacaktır.)
Walter Benjamin (2019), Hikâye Anlatıcısı, Heretik Yayıncılık.
Other Sources
Romeo ve Juliet – Yön. Baz Luhrman, 1997
Bram Stoker’s Dracula – Yön. F.F. Coppola, 1992
Çağrı - Yön. Mustafa Akad, 1976
Troy – Yön. Wolfgang Petersen, 2004
Thor Ragnarok – Yön. Taika Waititi, 2017
Batman/Ironman/Black Panther
Course Schedules
Week
Contents
Learning Methods
1. Week
Introductory class
Oral presentation
2. Week
The history of the relationship between literature and cinema
Oral presentation
3. Week
Meetings and common works
Oral presentation
4. Week
The critique of the relationship of film and literature
Oral presentation
5. Week
Adaptations
Oral presentation
6. Week
The effects of cinema on literature
Oral presentation
7. Week
Midterm exam
8. Week
Shakespeare in cinema
Oral presentation
9. Week
Shakespeare in cinema
Oral presentation
10. Week
Adaptations of Molière
Oral presentation
11. Week
Anna Karenina: the text and the film
Oral presentation
12. Week
The Great Gatsby: the text and the film
Oral presentation
13. Week
Yılanı Öldürseler: the text and the film
Oral presentation
14. Week
Anayurt Oteli: the text and the film
Oral presentation
15. Week
Gizli Yüz: the text and the film
Oral presentation
16. Week
Usta Beni Öldürsene: the text and the film
Oral presentation
17. Week
Final exam
Assessments
Evaluation tools
Quantity
Weight(%)
Midterm(s)
1
30
Attendance
1
10
Final Exam
1
60
Program Outcomes
PO-1
Communication, art and culture related concepts to be priorities, all kinds of definitions can berelated to different areas.
PO-2
Interpret technological developments and related artistic and cultural perceptions
PO-3
Will be able to understand contemporary / contemporary cinema and television practices.
PO-4
Will be able to analyze the organic relationship between art, communication and society.
PO-5
Will be able to produce works that will learn the creative process and bring creativity to the foreground
PO-6
It will be able to work creatively, flexibly and independently in a disciplined and self-created line.
PO-7
Will be able to use the tools and equipment necessary for their profession in the right place and at the right time and will be able to implement their projects within the determined time.
PO-8
Will be able to express his / her creative ideas using visual messages.
PO-9
They will be able to give original products in different interdisciplinary fields like animation, photography, cinema.
PO-10
He will have experience in film management, screenplay, cinematography and editing.
PO-11
Will be able to prepare visual effects for cinema and television using computer based applications.
PO-12
He will have experience in acting, mimicry, dramatic improvisation.
PO-13
Be open to innovations in the field of mass communication and adapt to innovations in the field.
PO-14
It will be able to produce projects with experienced experts in national and international areas.
PO-15
Competitions, exhibitions, festivals, seminars etc. in national and international areas. will participate in the events.
Learning Outcomes
LO-1
The ability to create links between film and literature
LO-2
The understanding of the position of the written text in cinema
