The aim of the course is to examine and evaluate the young generation, independent and contemporary Turkish directors who form the backbone of Turkish cinema. The contribution of the directors and their films to Turkish cinema will be closely examined and discussed.
Prerequisite(s)
..
Corequisite(s)
.
Special Requisite(s)
The minimum qualifications that are expected from the students who want to attend the course.(Examples: Foreign language level, attendance, known theoretical pre-qualifications, etc.)
Instructor(s)
Assoc. Prof. Bilgehan Ece Şakrak
Course Assistant(s)
Res. Asist. Emre Fırat
Schedule
Thursday, 13:00-14:45
Office Hour(s)
.
Teaching Methods and Techniques
Lectures where the theoretical framework will be given, homework assignments, film screenings and discussion.
Principle Sources
Pösteki, N. (2006). Türk Sinemasına Yeni Bir Bakış: Yönetmen Sineması. İstanbul: Es Yayınları
Pösteki, N. (2012). 1990 Sonrası Türk Sineması. 3. Baskı. Kocaeli: Umuttepe Yayınları
Şükran Kuyucak Esen (2010), Türk Sinemasının Kilometre Taşları, 2. Basım, İstanbul: Agora Kitaplığı
Abdurrahman Şen (ed.) (2010), Türk Sinemasında Yerli Arayışlar. Ankara:.C. Kültür ve Turizm Bakanlığı Geleneksel El Sanatları
Rekin Teksoy (2007). Rekin Teksoy’un Türk Sineması. İstanbul: Oğlak Yayıncılık
Course Schedules
Week
Contents
Learning Methods
1. Week
Discussion on Turkish cinema
Oral presentation
2. Week
Undertaking the concept of independent cinema
Oral presentation
3. Week
Discussion on new Turkish cinema
Oral presentation
4. Week
Discussion on new Turkish cinema
Oral presentation
5. Week
Discussing the cinema of Zeki Demirkubuz
Oral presentation
6. Week
Discussing the cinema of Zeki Demirkubuz
Oral presentation
7. Week
Midterm exam
8. Week
Discussing the cinema of Nuri Bilge Ceylan
Oral presentation
9. Week
Discussing the cinema of Nuri Bilge Ceylan
Oral presentation
10. Week
Discussing the cinema of Yeşim Ustaoğlu
Oral presentation
11. Week
Discussing the cinema of Yeşim Ustaoğlu
Oral presentation
12. Week
Discussing the cinema of Ferzan Özpetek
Oral presentation
13. Week
Discussing the cinema of Ferzan Özpetek
Oral presentation
14. Week
Final exam
15. Week
16. Week
17. Week
Assessments
Evaluation tools
Quantity
Weight(%)
Midterm(s)
1
40
Final Exam
1
60
Program Outcomes
PO-1
Communication, art and culture related concepts to be priorities, all kinds of definitions can berelated to different areas.
PO-2
Interpret technological developments and related artistic and cultural perceptions
PO-3
Will be able to understand contemporary / contemporary cinema and television practices.
PO-4
Will be able to analyze the organic relationship between art, communication and society.
PO-5
Will be able to produce works that will learn the creative process and bring creativity to the foreground
PO-6
It will be able to work creatively, flexibly and independently in a disciplined and self-created line.
PO-7
Will be able to use the tools and equipment necessary for their profession in the right place and at the right time and will be able to implement their projects within the determined time.
PO-8
Will be able to express his / her creative ideas using visual messages.
PO-9
They will be able to give original products in different interdisciplinary fields like animation, photography, cinema.
PO-10
He will have experience in film management, screenplay, cinematography and editing.
PO-11
Will be able to prepare visual effects for cinema and television using computer based applications.
PO-12
He will have experience in acting, mimicry, dramatic improvisation.
PO-13
Be open to innovations in the field of mass communication and adapt to innovations in the field.
PO-14
It will be able to produce projects with experienced experts in national and international areas.
PO-15
Competitions, exhibitions, festivals, seminars etc. in national and international areas. will participate in the events.
Learning Outcomes
LO-1
The ability to question arguments present in independent cinema
LO-2
Knowledge on new Turkish cinema
LO-3
The ability to interpret the films of contemporary Turkish directors
LO-4
The understanding of the basic dynamic of contemporary Turkish cinema
LO-5
The knowledge of the placement of contemporary Turkish cinema on the world cinema stage
