Course Code	Semester	Course Name	LE/RC/LA	Course Type	Language of Instruction	ECTS
STV7004		AUTEUR CINEMA	2/0/0	DE		4

Course Goals	The aim of the course is to teach auteur theory and the directors who have come to be known as “auteurs” through examples of their films. The problematics, themes and styles undertaken by these auteurs will be examined through examples.
Prerequisite(s)	-
Corequisite(s)	-
Special Requisite(s)	-
Instructor(s)	Assoc. Prof. Bilgehan Ece Şakrak
Course Assistant(s)	Res. Asist. Emre Fırat
Schedule	Friday, 09:00-10:45
Office Hour(s)	.
Teaching Methods and Techniques	Lectures accompanied by screenings every week, discussion of these films in the contexts of the theoretical framework given, student presentations in the same vain
Principle Sources	Atilla Dorsay. 100 Yılın 100 Yönetmeni. Remzi Kitabevi 1995. Nigar Pösteki. Türk Sinemasına Yeni Bakış: Yönetmen Sineması, Es Yayınları, 2005.
Other Sources

Course Schedules
Week	Contents	Learning Methods
1. Week	What is an auteur and who do we call an auteur? Introduction to the term and the theory	Oral presentation
2. Week	Avant-garde Cinema versus Classical Hollywood Narrative	Oral presentation
3. Week	Alfred Hitchcock and Hollywood auteurs	Oral presentation
4. Week	Alfred Hitchcock and Hollywood auteurs	Oral presentation
5. Week	Re-thinking film language: the films of Jean-Luc Godard	Oral presentation
6. Week	Re-thinking film language: the films of Jean-Luc Godard	Oral presentation
7. Week	Midterm exam
8. Week	A romantic in the Far East: Wong Kar-Wai	Oral presentation
9. Week	A romantic in the Far East: Wong Kar-Wai	Oral presentation
10. Week	Three Directors in Iranian Cinema: Abbas Kiorastami, Jafar Panahi, Mohsen Makhmalbaf	Oral presentation
11. Week	Three Directors in Iranian Cinema: Abbas Kiorastami, Jafar Panahi, Mohsen Makhmalbaf	Oral presentation
12. Week	The truths about Turkey through the lens of Yılmaz Güney	Oral presentation
13. Week	The truths about Turkey through the lens of Yılmaz Güney	Oral presentation
14. Week	Final Exam	Oral presentation
15. Week
16. Week
17. Week

Assessments
Evaluation tools	Quantity	Weight(%)
Midterm(s)	1	40
Final Exam	1	60

Program Outcomes PO-1 Communication, art and culture related concepts to be priorities, all kinds of definitions can berelated to different areas. PO-2 Interpret technological developments and related artistic and cultural perceptions PO-3 Will be able to understand contemporary / contemporary cinema and television practices. PO-4 Will be able to analyze the organic relationship between art, communication and society. PO-5 Will be able to produce works that will learn the creative process and bring creativity to the foreground PO-6 It will be able to work creatively, flexibly and independently in a disciplined and self-created line. PO-7 Will be able to use the tools and equipment necessary for their profession in the right place and at the right time and will be able to implement their projects within the determined time. PO-8 Will be able to express his / her creative ideas using visual messages. PO-9 They will be able to give original products in different interdisciplinary fields like animation, photography, cinema. PO-10 He will have experience in film management, screenplay, cinematography and editing. PO-11 Will be able to prepare visual effects for cinema and television using computer based applications. PO-12 He will have experience in acting, mimicry, dramatic improvisation. PO-13 Be open to innovations in the field of mass communication and adapt to innovations in the field. PO-14 It will be able to produce projects with experienced experts in national and international areas. PO-15 Competitions, exhibitions, festivals, seminars etc. in national and international areas. will participate in the events.

Learning Outcomes LO-1 The knowledge of the difference between a director and an auteur LO-2 The knowledge of certain auteurs and their career developments: how their films have changed through time and what form their careers have taken LO-3 The ability to make connections between the films of an auteur, and the ability to analyze these films in relation to the themes and stylistic choices the auteur makes LO-4 The ability to make connections between the auteur and the social and cultural context from which he/she comes from and how this context is reflected in their films LO-5 The understanding of how technology effects the works of auteurs

Course Assessment Matrix:

PO 1

PO 2

PO 3

PO 4

PO 5

PO 6

PO 7

PO 8

PO 9

PO 10

PO 11

PO 12

PO 13

PO 14

PO 15