Course Code	Semester	Course Name	LE/RC/LA	Course Type	Language of Instruction	ECTS
STV7007		DRAMATURGY	2/0/0	DE		4

Course Goals	The aim of this course is for the student to fully understand the basic theoretical framework of narrative dramaturgy, narrative elements and layers so that the student can evaluate works in the context.
Prerequisite(s)	-
Corequisite(s)	-
Special Requisite(s)	-
Instructor(s)	Assoc. Prof. Perihan TAŞ ÖZ
Course Assistant(s)	Res. Asist. Okan Şeker
Schedule	This course is not offered this semester.
Office Hour(s)	.
Teaching Methods and Techniques	Lecture, literature review, screenings and film analysis
Principle Sources	Seymour Chatman. Öykü ve Söylem Filmde ve Kurmacada Anlatı Yapısı. Deki Yayınevi. 2009. Bob Foss. Sinema ve Televizyonda Anlatım Teknikleri ve Dramaturji. Hayalperest Yayınevi. 2009. Martin Esslin. Dram Sanatının Alanı. Yapı Kredi Yayınları. 2008. Joseph Campbell. Kahramanın Sonsuz Yolculuğu. Kabalcı Yayınevi. 2010. Fatma Dalay Küçükkurt-Ahmet Gürata (ed.). Sinemada Anlatı ve Türler. Vadi Yayınları. 2007.
Other Sources	Umberto Eco. Anlatı Ormanlarında Altı Gezinti. Can Yayınları. 1996. Aristotales. Poetika. Can Yayınları. 2007.

Course Schedules
Week	Contents	Learning Methods
1. Week	Introductory class and how the course will run	Oral presentation
2. Week	what is narrative?	Oral presentation
3. Week	what are the types of narrative?	Oral presentation
4. Week	analysis of time-space-chain of events-character as elements of narrative	Oral presentation
5. Week	the relationship between narrative elements and narrative layers	Oral presentation
6. Week	what is classical narrative? The basic principles of classical narrative	Oral presentation
7. Week	screening of a film with a classical narrative and analysis of its narrative elements	Oral presentation
8. Week	screening of a film with a classical narrative and analysis of its narrative elements	Oral presentation
9. Week	archetypes and their function in classical narrative	Oral presentation
10. Week	the basic principles and layers of “the hero’s journey”	Oral presentation
11. Week	the basic principles of contemporary narrative	Oral presentation
12. Week	the re-construction of the notion of “conflict” in the contemporary narrative	Oral presentation
13. Week	the terms “open image”, “crystal storytelling”, “metaphor”, “metonymic meaning” and contemporary narrative	Oral presentation
14. Week	analysis of contemporary narrative and its elements through a chosen film example	Oral presentation
15. Week
16. Week
17. Week

Assessments
Evaluation tools	Quantity	Weight(%)
Midterm(s)	1	20
Homework / Term Projects / Presentations	1	20
Final Exam	1	60

Program Outcomes PO-1 Communication, art and culture related concepts to be priorities, all kinds of definitions can berelated to different areas. PO-2 Interpret technological developments and related artistic and cultural perceptions PO-3 Will be able to understand contemporary / contemporary cinema and television practices. PO-4 Will be able to analyze the organic relationship between art, communication and society. PO-5 Will be able to produce works that will learn the creative process and bring creativity to the foreground PO-6 It will be able to work creatively, flexibly and independently in a disciplined and self-created line. PO-7 Will be able to use the tools and equipment necessary for their profession in the right place and at the right time and will be able to implement their projects within the determined time. PO-8 Will be able to express his / her creative ideas using visual messages. PO-9 They will be able to give original products in different interdisciplinary fields like animation, photography, cinema. PO-10 He will have experience in film management, screenplay, cinematography and editing. PO-11 Will be able to prepare visual effects for cinema and television using computer based applications. PO-12 He will have experience in acting, mimicry, dramatic improvisation. PO-13 Be open to innovations in the field of mass communication and adapt to innovations in the field. PO-14 It will be able to produce projects with experienced experts in national and international areas. PO-15 Competitions, exhibitions, festivals, seminars etc. in national and international areas. will participate in the events.

Learning Outcomes LO-1 Knowledge of narrative theories LO-2 Ability to analyze the layers of a film story’s narrative structure LO-3 Ability to analyze the basic structure and operation of classical narrative through examples LO-4 Ability to analyze the basic structure and operation of contemporary narrative through examples LO-5 The possibility of advising and recognizing on a film story’s narrative problems

Course Assessment Matrix:

PO 1

PO 2

PO 3

PO 4

PO 5

PO 6

PO 7

PO 8

PO 9

PO 10

PO 11

PO 12

PO 13

PO 14

PO 15