The aim of the course is to analyze films through a philosophical perspective. In this context, many philosophers’ relationship with cinema will be undertaken.
Prerequisite(s)
CINEMA AND PHILOSOPHY
Corequisite(s)
CINEMA AND PHILOSOPHY
Special Requisite(s)
The minimum qualifications that are expected from the students who want to attend the course.(Examples: Foreign language level, attendance, known theoretical pre-qualifications, etc.)
Instructor(s)
Course Assistant(s)
.
Schedule
This course is not offered this semester.
Office Hour(s)
.
Teaching Methods and Techniques
Lectures and film analysis
Principle Sources
Hakan Savaş, Sinema ve Varoluşçuluk, Sözcükler, İstanbul 2013
Jean-Paul Sartre, Varoluşçuluk, Say Yayınları
Gilles Deleuze, Sinema I: Hareket İmge, Norgunk Yayınları, İstanbul, 2014.
Other Sources
Course Schedules
Week
Contents
Learning Methods
1. Week
Introductory class
Oral presentation
2. Week
Taking philosophy into film
Oral presentation
3. Week
Plato’s cave as a cinematic notion
Oral presentation
4. Week
Film as a philosophy
Oral presentation
5. Week
Space-Time-Material: Bergson
Oral presentation
6. Week
Can a philosophical film be made? Eisenstein
Oral presentation
7. Week
Midterm exam
8. Week
The ontology of cinema: Bazin
Oral presentation
9. Week
Investigating technology: Heidegger
Oral presentation
10. Week
The cinema of Win Wenders
Oral presentation
11. Week
Deleuze: Philosophy and film theory
Oral presentation
12. Week
Deleuze: Philosophy and film theory
Oral presentation
13. Week
What is the philosophy of cinema?
Oral presentation
14. Week
Film theory after Deleuze
Oral presentation
15. Week
The fate of the image: Ranciere
Oral presentation
16. Week
The liberated spectator
Oral presentation
17. Week
Final exam
Assessments
Evaluation tools
Quantity
Weight(%)
Homework / Term Projects / Presentations
1
40
Final Exam
1
60
Program Outcomes
PO-1
Communication, art and culture related concepts to be priorities, all kinds of definitions can berelated to different areas.
PO-2
Interpret technological developments and related artistic and cultural perceptions
PO-3
Will be able to understand contemporary / contemporary cinema and television practices.
PO-4
Will be able to analyze the organic relationship between art, communication and society.
PO-5
Will be able to produce works that will learn the creative process and bring creativity to the foreground
PO-6
It will be able to work creatively, flexibly and independently in a disciplined and self-created line.
PO-7
Will be able to use the tools and equipment necessary for their profession in the right place and at the right time and will be able to implement their projects within the determined time.
PO-8
Will be able to express his / her creative ideas using visual messages.
PO-9
They will be able to give original products in different interdisciplinary fields like animation, photography, cinema.
PO-10
He will have experience in film management, screenplay, cinematography and editing.
PO-11
Will be able to prepare visual effects for cinema and television using computer based applications.
PO-12
He will have experience in acting, mimicry, dramatic improvisation.
PO-13
Be open to innovations in the field of mass communication and adapt to innovations in the field.
PO-14
It will be able to produce projects with experienced experts in national and international areas.
PO-15
Competitions, exhibitions, festivals, seminars etc. in national and international areas. will participate in the events.
Learning Outcomes
LO-1
The ability to define conceptually cinematic works
LO-2
The ability to analyze and criticize films philosophically
LO-3
The ability to compare cinema theories to philosophical theories
LO-4
The ability to think about a film philosophically
LO-5
The ability to evaluate cinematic concepts according to different parameters.
